Osamu James Nakagawa at the Grunwald Gallery at Indiana University

October 13th - November 16th, 2017

Osamu James Nakagawa's work will be on view at A Shared Elegy at the Grunwald Gallery, Indiana University Bloomington, in conjunction with the IU Eskenazi Museum of Art. A 112-page book accompanying the exhibition will be published and distributed through Indiana University Press.

A Shared Elegy presents the work of four photographers connected by family ties. Osamu James Nakagawa and his uncle, Takayuki Ogawa, and Elijah Gowin and his father, Emmet Gowin, present unique but overlapping visions recording family histories.

Link to Event (Link)
Grunwald Gallery, Indiana University
IU Eskenazi Museum of Art

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Sunil Gupta Talk and Gallery Tour

20 September- 31 October 2017

 

A major exhibition of works by Sunil Gupta featuring works from 1984 onwards from the series, “Homelands,” “Exiles,” “The New Pre-Raphelites,” and “Ten Year On.”

Sunil Gupta will be hosting a talk and gallery tour at the Peltz Gallery, Tuesday, October 31, 2017 (Event Brite Link for Tickets)

In Pursuit of Love 
Birkbeck, School of Arts
43 Gordon Square London WC1H 0PD

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Annu Palakanathu Matthew at 2017 Lightfield Photography Festival

05 August – 30 September 2017

 

Annu Palakanathu Matthew’s series An Indian from India juxtaposing her identity as an Indian with that of Native American Indians. The 2017 LightField Festival of Photography and Multimedia Art, JUSTTHE FACTS exhibits works dealing the subjects of working class and immigrant individuals.

Annu Palakunnathu Matthew: An Indian from India
Lightfield
Hudson Hall
Hudson, New York

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Sunil Gupta works at Coming Out, Liverpool

28 July – 5 November 2017

 

A few works by Sunil Gupta from his series, Exiles, will be on view in the exhibition, Coming Out: Sexuality, Gender, and Identity at the Walker Art Gallery, Liverpool.

“It had always seemed to me that art history seemed to stop at Greece and never properly dealt with gay issues from another place. Therefore, it became imperative to create some images of gay Indian men; they didn’t seem to exist.” – Sunil Gupta

Coming Out: Sexuality, Gender and Identity 
Walker Art Gallery
Liverpool

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Charan Singh at Clifford Chance

01 June – 15 September 2017

 

A selection from Charan Singh’s portrait series Kothis, Hijras, Giriyas and Others is on view at Clifford Chance. The photographs document homosexual Indian sub-cultures. The series title comes from the indigenous terms used by queer working class and transgendered men, often forced into sex work, to define their different and particular sexual identities. In Indian society, where class and caste are still major forces, these three groups are among some of the most marginalized.

Charan Singh: Kothis, Hijras, Giriyas and Others
Clifford Chance
31 W 52nd St.,
New York, NY 10019

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A Conversation with Vivan Sundaram at Columbia University

Wednesday, May 10, 2017
7:00pm – 8:30pm

 

As part of the South Asia Institute’s 2016-17 Colloquium Series, Vivan Sundaram will present recent installations in a conversation with Andreas Huyssens, Villard Professor of German and Comparative Literature.

This event is open and free to the public.

Wednesday, May 10, 7:00pm – 8:30pm
A Conversation with Vivan Sundaram and Andreas Huyssens, Villard Professor of German and Comparative Literature
2016-17 Colloquium Series
South Asia Institute, Columbia University
Knox Hall, Room 208
606 West 122nd Street, between Broadway and Claremont
New York, NY

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Vivan Sundaram at Coomarswamy Hall

17 - 25 March, 2017

Meanings of Failed Action: Insurrection 1946 is a monumental installation intended as a work of public art to explore, dissect, and examine the “failure” of the Royal Indian Navy’s six-day insurrection against the colonial government. Within Sundaram’s ship-like steel and aluminum object is a performance space that plays a sound work by British artist David Chapman. Visitors can read newspaper reports, telegrams from the Empire, and books on the Insurrection from various view points and distances— compiled and conceptualized by Ashish Rajadhyaksha with Valentina Vitalli. This is a continuation of Sundaram’s “history projects” in which he uses historical events (“unresolved histories”) to explore their impact and the alternate futures they could have created.

Link to Event (Link)
Vivan Sundaram and Ashish Rajadhyaksha: Meanings of Failed Action: Insurrection 1946
Coomarswamy Hall
Mumbai, India

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Atul Bhalla at Kailash Cartographies

13 March – 2 April, 2017

 

Bhalla’s photographic installation is featured in Kailash Cartographies, at The New School’s Aronson Gallery. An exhibition of artists from India, China, Nepal, and the US, Kailash Cartographiesexplores conceptions of sacred geographies: holy spaces, pilgrimages, and intersections with secular, personal, and political spaces and borders.

“Atul Bhalla’s photographic installation, titled Contemplating Drowning also considers the tragic pollution of the Bagmati river, but through the figure of Shiva, who is thought to create and destroy the universe in the blink of the eye. Bhalla juxtaposes the brass monkeys from the Golden Temple in Kathmandu with images of oil lamps, that appear like spirits which may be snuffed out by the river, photographed here at dusk.”

Kailash Cartographies LINK
Arnold and Sheila Aronson Galleries
66 Fifth Ave. New York, NY 10003

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